Documentary

Filming bison in kent
Kent Wildlife Trust
Rewilding the Blean - The UK's first Bison Release
ITV4
Born to Win - ITV
Charity Documentary
Leonard Cheshire
Opening Doors
Ancestry.co.uk
Homefront Heroes - WW1 Centenary Film

Documentary Cameraman and Filmmaker

Story-Driven Documentary Filmmaking

As a documentary filmmaker, I’m driven by a deep belief in the power of film to inform, inspire, and create change. Whether I’m working with major broadcasters or grassroots organisations, my focus is always the same: to tell human stories with honesty, depth, and visual integrity.

I’ve had the privilege of working as a UK cameraman on Amazon Prime’s Esports World Cup: Level Up—a high-energy docuseries capturing the global rise of competitive gaming—and as Director of Photography on ITV’s Born to Win, following elite athletes overcoming personal and physical challenges. These productions pushed me to combine cinematic image-making with documentary responsiveness, where the goal is to capture emotion, movement, and meaning without ever interrupting the moment.

DoP and Self-Shooting Director

My skill set comfortably spans both ends of the production scale. As a DoP, I’m experienced in shaping narrative through composition and light, whether in dynamic real-world environments or controlled interview setups. I frequently rig multi-camera systems, including automated sliders for motion shots, remote-operated second angles, or discreet observational coverage—giving editors flexibility while maintaining visual continuity.

I also regularly work as a self-shooting director—especially on sensitive or intimate stories where trust and discretion are vital. In these moments, the camera becomes an extension of the conversation, and my approach shifts to one of empathy and quiet observation. These two roles complement each other; working as a DoP has made me a more visually driven director, while directing has made me a more human-focused cinematographer.

Broadcast-Ready Equipment for Agile Shoots

To support this work, I operate with a full range of personally owned, broadcast-ready equipment that allows me to remain agile, self-sufficient, and ready to shoot anywhere in the world. My core camera package includes the Sony FX9, FX6, and a7S III, giving me flexibility to scale up for multi-camera shoots or work discreetly in sensitive environments.

These are backed by carefully selected lenses, including the Canon CN7 17–120mm cine zoom, Sony G Master zooms, and Sigma primes for cinematic image quality. I also maintain a valid ATA Carnet covering all owned kit, enabling seamless, duty-free transport across the EU and beyond—saving valuable time and avoiding customs delays during tight schedules.

Lighting, Mobility and On-the-Go Efficiency

Having this kit fully prepped and travel-ready is vital for documentary work. It allows me to mobilise quickly while keeping creative control—whether I’m filming high-pressure interviews, fast-moving events, or observational pieces in remote locations. My lighting kit includes the Aputure Nova, LS 600x, and a variety of soft panels to build quick setups with cinematic results.

Motion and stability tools like the Easyrig Vario 5, Ronin RS3 Pro gimbal, and Edelkrone slider add flow and depth to interviews. I use broadcast-quality audio equipment and wireless monitoring systems for multi-crew coordination. For aerial work, I’m a CAA-approved drone operator flying the DJI Mavic 3 Pro. Everything is transported in my VW Transporter T6 with a Magliner Junior and Rock’n’Roller trolley for maximum efficiency on location.

Impact-Driven Storytelling

Beyond broadcast, I’ve collaborated with numerous UK charities, NGOs, and advocacy groups to produce campaign, educational, and impact-driven films. I understand the nuance required to film real people in vulnerable situations—and the responsibility that comes with telling their stories truthfully and with respect.

Whether I’m producing short-form social content or long-form documentaries, I aim for a visual style that feels both cinematic and grounded. That same ethos carries into my independent work, such as Adventures Not Dams—a self-funded documentary on the ecological and social consequences of hydropower development in the Balkans. Projects like this reflect what I value most in filmmaking: visual storytelling with purpose.

Relevant Documentary Work:

Filming bison in kent
Kent Wildlife Trust
Rewilding the Blean - The UK's first Bison Release
ITV4
Born to Win - ITV
Charity Documentary
Leonard Cheshire
Opening Doors
Ancestry.co.uk
Homefront Heroes - WW1 Centenary Film
Much Better Adventures
ADVENTURES NOT DAMS